This project is special to us for several reasons. We had the honor of working with the renowned cinematographer Antonio Riestra, who gave us a lot of valuable advice and experience. We were shooting on a camera that nobody in our country was holding at that time. All the way from Munich, Arri brought us the Arri Alexa LF.

This project was just beautiful. We had the opportunity to film in the church part of the unique Gabriel Loci building. During the preparations for the lighting of one of the larger scenes, we had to very carefully cover the three-meter crystal chandelier, which was 3 meters above the ground, with velvet. We reached its top with difficulty on ladders.

This ad was shot during the elixir of cold temperatures in winter in underground garages. In the main shot, we had to very intricately and thoroughly coordinate the steadicam between the moving car and the movement of the camera so that there was no collision, but that the camera was as low as possible to the passing car.

During this shoot, the lighting team enjoyed much of it at the waterside campsite, where they had the option of lighting in the water. Large exteriors meant a lot of lights and a lot of work for us.

This project is a success for us in the form of twelve film locations in two days. We managed everything in such a way that there was no change or unnecessary compromise at the expense of quality.

Thematic advertisement, where our lighting engineers used a special filter with a shade of red on the lights.

More soon…

Another project where our gaffer team struggled with many obstacles and process difficulties. The highlight of all their efforts was the lighting of the large hall with the help of a long and high truss structure.

For that project, the most difficult steadicam shot was tracking the messenger up a narrow steep ancient tower. Valuable experience for the future.

Another demanding steadicam shot, where the camera had to go from the rolling ball on the ground to the detail of the tall Petr Čech’s head. Excellent cooperation not only with the main protagonist, but also with the entire film crew.

In this beautiful hotel, the steadicam ran a lot. We gradually went through almost all the corridors and winding alleys in the hotel.

The first airing of the steadicam after the first wave of the Covid lockdown. Almost 90% of the shots were made from steadicam. Challenging but worth it.